ANTIQUE AUTHENTIC DAOIST FULU YAO TRIBAL USED
SHAMAN PRIEST’S SACRED CEREMONIAL 4 RITUAL MUSICAL
INSTRUMENTS; CIRCA 1840

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Yao Ritual Musical Instruments David Howard Tribal Art




David Howard Tribal Art Yao Ritual Musical Instrumnets






Yao Ritual Ceremonial Drum David Howard Tribal Art






David Howard Tribal Art Yao Fulu Ceremonial Ritual Drum






Yao Mien Fulu Ritual Cymbals David Howard Tribal Art





David Howard Tribal Art Yao Ritual Cymbals Musical Instruments





Fulu Yao Musical Instrument David Howard Tribal Art






David Howard Tribal Art Yao Daoist Musical Instruments Ritual



The Yao by Jess Pourret David Howard Tribal Art


David Howard Tribal Art The Yao by Jess Pourret


Peoples of the Golden Triangle by Paul and Elaine Lewis David Howard Tribal Art


David Howard Tribal Art Peoples of the Golden Triangle bt Paul and Elaine Lewis





Yao drum and Cymbals David Howard Tribal Art




  ANTIQUE AUTHENTIC DAOIST FULU YAO TRIBAL USED
SHAMAN PRIEST’S SACRED CEREMONIAL 4 RITUAL MUSICAL
INSTRUMENTS; CIRCA 1840! SIMILAR, BUT LATER MORE INFERIOR,
EXAMPLES ARE PUBLISHED IN THE BOOK ENTITLED: “THE YAO: THE
MIEN AND MUN YAO IN CHINA, VIETNAM, LAOS, AND THAILAND” BY
JESS G. POURRET PAGE # 211; ILLUSTRATION # 584 AND THE BOOK
ENTITLED; “THE PEOPLES OF THE GOLDEN TRIANGLE” BY PAUL AND
ELAINE LEWIS PAGE # 275. THE COVERS OF THOSE MENTIONED BOOKS’
AND THOSE PAGE NUMBERS ARE POSTED WITH THE OTHER POSTED
PICTURES OF THESE 4 SCARED YAO MIEN CEREMONIAL RITUAL MUSICAL
INSTRUMENTS FOR YOUR REFERENCE! THE HAND CARED WOODEN DRUM
HAS A DRUM STICK ATTACHED TO IT WITH A HAND WOVEN TEXTILE. THAT
DRUM MEASURES 36 INCHES IN CIRCUMFERENCE, 11 INCHES IN DIAMETER
AND 3 INCHES DEEP. IT HAS A MUSEUM COLLECTION CATALOGUE NUMBER
ON IT THAT READS; “1159A” AND A CIRCULAR RED “DAVID HOWARD TRIBAL ART”
SEAL ON THE BACK. CHINESE TEXT CHARACTERS ARE WRITTEN ON THE BACK SIDE
OF THAT DRUM’S SKIN. THE LARGER BRONZE CYMBAL PAIR MEASURES 16 INCHES
IN CIRCUMFERENCE, 6 INCHES IN DIAMETER AND 2 INCHES DEEP. THEY HAVE
A MUSEUM COLLECTION CATALOGUE NUMBER ON IT THAT READS; “1161A”
AND A CIRCULAR RED “DAVID HOWARD TRIBAL ART” SEAL ON THEM
AND HAS A HAND WOVEN TEXTILE THAT HOLDS THEM TOGETHER.
THE SMALLER BRONZE CYMBAL PAIR MEASURES 11 INCHES IN
CIRCUMFERENCE, 4 INCHES IN DIAMETER AND 1 INCH DEEP
AND HAS A HAND WOVEN TEXTILE THAT HOLDS THEM TOGETHER.
THAT PAIR HAS A MUSEUM COLLECTION CATALOGUE NUMBER
ON IT THAT READS; “1161A” AND A CIRCULAR RED
“DAVID HOWARD TRIBAL ART” SEAL ON THEM. THE
HAND CARVED WOODEN PERCUSSION INSTRUMENT HAS
A HANDLE AND A SEPARATE HAND CARVED WOODEN DRUM
STICK THE RUNS THROUGH THE CENTER THAT CAN BE REMOVED
AND USED TO PLAY THAT INSTRUMENT. IT MEASURES 9 INCHES
LONG X 4 INCHES WIDE X 2.5 INCHES DEEP. YAO SACRED
CEREMONIAL RITUAL MUSICAL INSTRUMENTS WERE USED
BY YAO DAOIST FULU SHAMAN PRIESTS IN THE 19TH
CENTURY TO INTRODUCE PRACTITIONERS
TO SACRED YAO CEREMONIES AND RITUALS!

Fulu is a term for Daoist practitioners who use
hand carved wooden stamps with red ink and dragon
wands waved over sacred Daoist ritual scripture books
who can draw and write supernatural talismans; Fu Shenfu,
which they believed function as summons or instructions to
deities, spirits, or as tools of exorcism,
as medicinal potions for ailments.

It is believed by Daoists that in the past
the ability to write Shenfu had been once
decreed by their deities to authorized priests
or daoshi. Lu is a register and compilation of
the membership of the daoshi as well as the
skills they were able to use. These practitioners
are also called Fulu Pai or the Fulu Sect made
up of daoshi from different schools or offshoots of Taojia.

The origins of the Yao can be traced back 2000 years starting in
Hunan. The Yao and Hmong were among the rebels during the
Miao Rebellions against the Ming dynasty. As the Han Chinese
expanded into South China, the Yao retreated into the highlands
between Hunan andGuizhou to the north and Guangdong
and Guangxi to the south, and stretching into eastern Yunnan.
Around 1890, the Guangdong government started taking
action against Yao in northwestern Guangdong.The first
Chinese exonym for "Yao people" was the graphic
pejorative "jackal," with twentieth-century reforms
this was changed to yao: "precious jade."

Daoism has historically been important to the Yao.
Jinag Yingliang, in a 1948 study, argued that Yao
religion was characterized by a process of Han Chinese
influenced Daoisation the endurance of pre-Daoist folk
religion; and some Buddhist beliefs. The description of Yao
religionis similar to the definition of Chinese folk
religion as described by Arthur Wolf and Steve Sangren.
Scholar Zhang Youjun takes issue with claims of
"strong Buddhist influence" on the Yao, arguing
that "although Yao ritual texts contain
Buddhist expression, the Yao do not
believe in Buddhism at all.
They are resolutely Taoist.”

Yao society is traditionally patrilineal,
with sons inheriting from their fathers.
Marriage between first cousins is common.

The Yao follow patrilocal residence.
The Yao people have been farmers for over
a thousand years, mostly rice cultivation through
plowing, although a few practice slash-and-burn
agriculture. Where the Yao live nearby
forested regions, they also engage in hunting.

During the Southern Song (1127–127),
an imperial Chinese observer, Zhou Qufei,
described the Yao as wearing distinctive fine
blue clothing produced using indigo. The Yao
celebrate their Pan Wang (King Pan) festival
annually on the sixteenth day of the tenth lunar
month. The festival celebrates the mythical original
story of the Yao people, and has evolved
“into a happy holiday for the Yao to
celebrate a good harvest and
worship their ancestors.



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DAVID HOWARD AUTHORED BOOKS: "THE LAST FILIPINO HEAD HUNTERS," "SACRED JOURNEY: THE GANGES TO THE HIMALAYAS," "TEN SOUTHEAST ASIAN TRIBES FROM FIVE COUNTRIES" AND "PERSPECTIVES: INTERVIEWS ANSEL ADAMS, JERRY UELSMANN, RALPH GIBSON, AND ROBERT HEINECKEN." COVER "SMITHSONIAN MAGAZINE" 2014, DVD DOCUMENTARIES: "CHRISTO: THE UMBRELLA PROJECT," "KEITH HARING: ARTIST AT WORK" AND "NAM JUNE PAIK." DAVID HOWARD'S MUSEUM COLLECTIONS: THE METROPOLITAN MUSEUM OF ART; NEW YORK 2011, THE FIELD MUSEUM; CHICAGO 2013, THE MUSEUM OF MODERN ART (S.C.75.123); NEW YORK 1975, THE MUSEUM OF MODERN ART; SAN FRANCISCO: (SAN FRANCISCO ART INSTITUTE PHOTOGRAPHY PORTFOLIO) 1975, THE WHITNEY MUSEUM OF AMERICAN ART; (EAST VILLAGE ART SCENE DOCUMENTARY), NEW YORK 1985, THE OAKLAND MUSEUM; OAKLAND CALIFORNIA 1973. CLIENTS INCLUDE: PACE PRIMITIVE N.Y.C. THAMES & HUDSON, SMITHSONIAN MAGAZINE, THOMAS MURRAY: ASIATICA, ALEX ARTHUR; “TRIBAL MAGAZINE,” MARK JOHNSON TRIBAL ART, SUTTERFIELD TRIBAL ART, DAVE DEROCHE: GALLERY DEROCHE, ERIK FARROW: FARROW FINE ART, JOE GERENA FINE ART N.Y.C., STATE FARM INSURANCE COMPANY APPRAISAL CONSULTANT, P.B.S., B.B.C., BILL JAMESON, TASCHEN, XANADUE GALLERY, TONY MILTON: GONE BEYOND, RIPLEYS BELIEVE IT OR NOT MUSEUM, RUDOLF KRATOCHWILL: MABINI PROJECTS.
 

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David Howard, art, artist, photography, photographic, photographs, print, prints, director, producer, exhibitions, exhibits, exhibit, painting, paint, studio, studios, etching, silkscreens, silkscreen, contemporary art, Pop Art, artist's story, journal, video, videos, documentary, documentaries, books, book, asian, asia, Filipino, Philippines, Sacred Journey, author, The Last Filipino Head Hunters, collections, collectables, collectable, archives, archive, art, fine, contemporary, video, dvd, documentary, Keith Haring, Nam June Paik, Christo, Lowell Nesbitt, Lawrence Ferlinghetti, Charles Arnoldi, artists, studio visit, artist, program, sculpture, painting, photography, prints, print, photo, paintings, sculptures, keith haring, christo, david howard, nam june paik, artseen, videos tape, programs, documentaries, arts, world, san francisco, new york, los angeles

ANDY WARHOL, JOSEPH ALBERS, ELLSWORTH KELLY, CLAES OLDENBURG, ROBERT MOTHERWELL, FRANK STELLA, JAMES ROSENQUIST, ROBERT RAUSCHENBURG, KEITH HARING, CHRISTO, ROBERT INDIANA, ROY LICHTENSTEIN, ROBERT MAPPLETHORPE, ALICE NEAL, ARTISTS, ART, ARTIST, PAINTING, SCULPTURE, PHOTOGRAPHY, SITE SPECIFIC, NAM JUNE PAIK, KENNY SCHARF, LOWELL NESBITT, LAWRENCE FERLINGHETTI, ARMAN ARMAN, CHARLES ARNOLDI, CHRIS BURDEN, ART STUDIOS, VIRTUAL REALITY, ABSTRACT EXPRESSIONISM, PRINT MAKING, ETCHING, PAINTING, HOLOGRAPHY, AFRICAN ART, WOODCARVING, MURAL. MURALS, COMPUTER ART, FIGURATIVE EXPRESSIONISM, IMPRESSIONISM, MULTI-MEDIA, MULTI MEDIA

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Flores, Sumba, Savu, Roti, Lombok, Malaysia. Nusa Tengara, New Guinea, Irian Jaya, Moluccas, Tanimbar, Leti, Lembata, Alor, Philippines, Luzon, Mindanao, Sulu, Southeast Asia, Asia, Asian, Burma. Myanmar, India, Nagaland, Nepal, Tibet, Himalaya, Himalayan, Assam, Thailand, Vietnam, Yunnan, Hainan, China, Central Asia, Dayak, Batak, Toraja, Naga, Chin, Li, Miao, Bahau, Punan, Penan, Modang, Kayan. Kenyah, Ngaju, Kontu, Kantu, Iban, Maloh, Tunjung, Busang, Aoheng, Dong Son, Konyak, Tangkhul, Ao, Angami, Sema, Wancho, Bontoc, B'laan, Bagabo, Gaddang, Ifugao. Sculpture, statue, mask, beadwork, bead, textile, weaving, costume, hat, shield, spear, helmet, sword, charm, fetish, drum, basket, basketry, jewelry, ornament, weapon. Canoe, amulet, decoration, architecture, architectural, longhouse, headhunter, headhunting, shaman, festival, ceremony, ceremonial, ritual, tattoo. Skull, dragon, hornbill, art, tribal, tribe, culture, cultural, myth, artifact, artefact, wood, stone, cotton, metal, bronze, brass, cloth, tropics, tropical, ethnographic, primitive, art, masks, asian, ethnographic, oceanic, folk, ethnic cultures, artifacts, Bahau, Kalimantan, indonesia, borneo, sumatra. sulawese, java, bali, timor. flores, sumba, lombok, molucca, philippines, luzon, mindanao, nepal, burma, thailand, laos, vietnam, india, central asia, southeast. dayak, lban, kayan, kenyah, modang, bahau, ngaju, batak. toraja, naga, dong song. Myanmar, Burma, Kachin, Naga, Konyak, Chin, Ao, Wancho, Thangkul, Dao, Helmet, Hat, Hornbill, Mizo, Sema, Assam, India, Mithan, Maram, Morung, Myth, Dream, Post, Pillar, Panel, Architecture, Architectural, Tusk, Hill Tribe, Sacrifice, Skull, War Path, Ritual. Spirit, Figure, Motif, Design, Ceremony, Ceremonial, Raid, Fur, Claws, Teeth, Fangs, Carving, Statue, Sculpture, Kalinga, Ifugao, Luzon, Mindanao, T'boli, Bagabo, B'laan, Sulu, Philippines, Weaving, Blouse, Skirt, Sarong, Shawl, Necklace, Bracelet, Conch Shell, Shell, Brass, Spear. Feather, House, Tradition, Traditional, Ancestor, Cloth, Ikat, Chapan, Uzbek, Asia, Turkoman, Turkamen, Dragon, Snake, Bird, Gong, Island, Indonesia, Indonesian, Borneo, Sarawak, Kalimantan, Sulawesi, Sumatra, Timor, Bali, Java, Flores, Sumba, Savu, Roti, Lombok, Malaysia. Nusa Tengara, New Guinea, Irian Jaya, Moluccas, Tanimbar, Leti, Lembata, Alor, Philippines, Luzon, Mindanao, Sulu, Southeast Asia, Asia, Asian, Burma. Myanmar, India, Nagaland, Nepal, Tibet, Himalaya, Himalayan, Assam, Thailand, Vietnam, Yunnan, Hainan, China, Central Asia, Dayak, Batak, Toraja, Naga, Chin, Li, Miao, Bahau, Punan, Penan, Modang, Kayan. Kenyah, Ngaju, Kontu, Kantu, Iban, Maloh, Tunjung, Busang, Aoheng, Dong Son, Konyak, Tangkhul, Ao, Angami, Sema, Wancho, Bontoc, B'laan, Bagabo, Gaddang, Ifugao. Sculpture, statue, mask, beadwork, bead, textile, weaving, costume, hat, shield, spear, helmet, sword, charm, fetish, drum, basket, basketry, jewelry, ornament, weapon. Canoe, amulet, decoration, architecture, architectural, longhouse, headhunter, headhunting, shaman, festival, ceremony, ceremonial, ritual, tattoo. Skull, dragon, hornbill, art, tribal, tribe, culture, cultural, myth, artifact, artefact, wood, stone, Indonesia, Indonesian, Borneo, Sarawak, Kalimantan, Sulawesi, Sumatra, Timor, Bali, Java, Flores, Sumba, Savu, Roti, Lombok, Malaysia. Nusa Tengara, New Guinea, Irian Jaya, Moluccas, Tanimbar, Leti, Lembata, Alor, Philippines, Luzon, Mindanao, Sulu, Southeast Asia, Asia, Asian, Burma. Myanmar, India, Nagaland, Nepal, Tibet, Himalaya, Himalayan, Assam, Thailand, Vietnam, Yunnan, Hainan, China, Central Asia, Dayak, Batak, Toraja, Naga, Chin, Li, Miao, Bahau, Punan, Penan, Modang, Kayan. Kenyah, Ngaju, Kontu, Kantu, Iban, Maloh, Tunjung, Busang, Aoheng, Dong Son, Konyak, Tangkhul, Ao, Angami, Sema, Wancho, Bontoc, B'laan, Bagabo, Gaddang, Ifugao. Sculpture, statue, mask, beadwork, bead, textile, weaving, costume, hat, shield, spear, helmet, sword, charm, fetish, drum, basket, basketry, jewelry, ornament, weapon. Canoe, amulet, decoration, architecture, architectural, longhouse, headhunter, headhunting, shaman, festival, ceremony, ceremonial, ritual, tattoo. Skull, dragon, hornbill, art, tribal, tribe, culture, cultural, myth, artifact, artefact, wood, stone, cotton, metal, bronze, brass, cloth, tropics, tropical, ethnographic.

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