NIAS TRIBE
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NIAS DEITY FIGURE #1 CIRCA; LATE 19TH CENTURY EARLY 20TH CENTURY 20 INCHES X 5 INCHES X 4.5 INCHES “Siraha Salawa;” Nias hand carved wooden figure that represents a deceased Noble Lord in the form of an “Ancestor Figure.” Circa: late 19th century early 20th century. Hand carved by the Nias tribe, on Samudera Island, Indonesia, west of Sumatra, in the Indian Ocean. A squatting figure exhibits an oversized regal triangular crown; a vertically tapering royal headdress. On the regal forehead; below the crown, a red textile backed “Ni'o Woli Woli” head band completely wraps the figure’s head made of diamond and triangular shaped hand hammered brass that was once inlaid with four jewels. Each conical shaped circular horizontal protrusion on that head band represents a golden ornament that depicts a coiled termination of a sprouting fern. A “Sialu” wrist bracelet is displayed on the left arm and a “Nifatali, Nifatofato, Kalabubu” necklace completely encircles the neck. Holding a cup in both hands, while exposing an erect male genitalia. Condition: Authentic Original Patina with encrusted dirt. Never cleaned, waxed or polished, no rotten wood, no worm holes. Excellent museum quality example of an Adu Zatua figure. Near perfect excellent condition. |
The first
ancestors of Nias were Austromelanesoid race from Hoabinth at 10,000
B.C. and then came more advance Austronesians from Taiwan which shifted the existence of the Austromelanesoids. Isolated yet worldly, the Nias Island chain has been trading since prehistory with other cultures, other islands, and even mainland Asia. Some historians and archaeologists have cited the local culture as one of the few remaining Megalithic cultures in existence today. While this point of view is hotly debated, there is no doubt that Nias' relative geographic isolation has created a unique culture. As a culture of traders, the people of Nias find tourists to be a welcome – and historically familiar – phenomenon. Nias is best known for its diversity of festivals and celebration. The most well-known events are War Dances, performed regularly for tourists, and Stone Jumping, a manhood ritual that sees young men leaping over two meter stone towers to their fate. In the past the top of the stone board is covered with spikes and sharp pointed bamboo. The music of Nias, performed mostly by women, is noted worldwide for its haunting beauty. Gunungsitoli is home to Nias's only museum, the Museum Pusaka Nias (Nias Heritage Foundation), which houses over 6000 objects related to Nias's cultural heritage. The museum had recently built a new building and had improved their storage and exhibitions when the 2004 earthquake and tsunami occurred. The museum suffered some damage to the grounds and collections, but museum staff are working to recover from this devastating event! The predominant religion is Protestant Christianity. Six out of seven Niasans are Protestant; the remainder are about evenly divided between Muslim (mostly immigrants from elsewhere in Indonesia) and Catholic. However adherence to either Christian or Muslim religions is still largely symbolic; Nias continues into current day celebrating its own indigenous culture and traditions as the primary form of spiritual expression. The people of Nias build omo sebua houses on massive ironwood pillars with towering roofs. Not only were they almost impregnable to attack in former tribal warfare, their flexible nail-less construction provide proven earthquake durability. Nias is home not only to a unique human culture but also endemic fauna which differ from other areas of North Sumatra because of the island's remote location separate from Sumatra. |
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