David Howard was described, in
both;
“The San Francisco Chronicle,” and New York’s “Village Voice” as “An
Experimental Photographer of Amazing Ability.” David’s work has been
published in more than 24 books and 42 periodicals. His art is in the
collections of “The Metropolitan Museum of Art,” New York, “The Museum
of Modern Art,” New York, (S.C.75.123), “The San Francisco
Museum of Modern Art,” “The Oakland Museum,” Oakland, California,
Chicago's “Field Museum,” and “The Whitney Museum of American Art.” His
published monograph books are; “Realities; Revised Final Vision Version
III,” which includes David’s photographs and conversations with Keith
Haring, Christo, Nam June Paik, Ansel Adams, Jerry Uelsmann, Aaron
Siskind, Robert Heinecken and Ralph Gibson, 2018, “Sacred Journey;”
published by “Taschen” in four languages; English, German, French, and
Spanish, 2004, “Ten Southeast Asian Tribes from Five Countries,” 2008,
“The Last Filipino Head Hunters,” 2001, “Perspectives;” which includes
David’s photographs and conversations with Ansel Adams, Jerry Uelsmann,
Ralph Gibson, and Robert Heinecken, 1978 and “Analyses of
Realities,” 1976. In 1970, Howard participated in, and documented,
student protest demonstrations against the Vietnam war, during the
“Kent State University” uprising, in Ohio, where four students were
killed, and nine wounded, by The Ohio National Guard. In 1969 David
attended, and documented, “Three Days of Peace and Music” at
“Woodstock,” where he photographed Jimi Hendrix, Richie Havens, Ravi
Shankar, Arlo Guthrie, Joan Baez, County Joe and The Fish, Santana,
Canned Heat, Mountain, The Grateful Dead, Creedence Clearwater Revival,
The Who, Jefferson Airplane, Joe Cocker, Janis Joplin, Ten Years After,
Johnny Winter, Sly and the Family Stone, Blood Sweat and Tears, The
Band, and Crosby, Stills, Nash and Young. In the 60’s and 70’s
Howard’s experimental films were screened at “The San Francisco Museum
of Modern Art’s” “S.E.C.A.” series, “The Millennium Film Workshop” in
New York City, “The Oakland Museum’s” “Ultra Films,” in Oakland,
California, “The San Francisco Art Institute’s Film Festival,” “The
Exploratorium” in San Francisco, California, and at “Ohio University”
in Athens, Ohio. David received, in 1974, a Masters of Fine Arts degree
on scholarship, from the “San Francisco Art Institute,” graduating from
the Honor’s Program. In the 80’s he produced and directed the
documentary television series “Art Seen;” with more than 120 episodes,
he brought the viewer into the hidden world of hundreds of artists’
private studios, including Keith Haring, Christo, and Nam June Paik,
while they created and discussed their art. Art Seen was broadcast on
P.B.S. and televised in 17 cities, including New York, Los Angles and
San Francisco. The first Art Seen episode; “New York’s East Village Art
Scene,” premiered at The Whitney Museum of American Art in 1985. During
the early 90’s David embarked upon decades of international travel
throughout Southeast Asia, Burma, Thailand, Laos, Korea, Indonesia,
India, Nepal, The Philippines, Vietnam and Japan. While working with
the “Black Star” photography agency, in New York City, he documented,
the then, President of the United States Bill Clinton in 1996, with 16
other heads of state, at the “Asian Pacific Economic Conference,”
(APEC) in Manila. He followed that by traveling to remote Filipino
primitive villages, where he documented the vanishing life style of
native Filipino head hunting tribes. In the late 90’s, while continue
working with The Black Star photography agency, he documented “The
Russian River Jazz Festival,” in Northern California where he met, and
photographed, “Herbie Hancock” and “Wayne Shorter.” In that same year
he attended, and documented, the opening of the “42nd San Francisco
International Film Festival” that featured “Sean Penn.” In 2014 David’s
photography, and tribal art, were featured on the cover of “Smithsonian
Magazine,” that accompanied excerpts from the book entitled: “Savage
Harvest,” concerning the loss of Michael Rockefeller to Indonesian
cannibal tribes.
David is a long distance swimmer. He swam the complete
span, under “The Golden Gate Bridge,”
from “San Francisco County” to
“Marin County” twice, once in 1985
and again in 1986. David
lives in San Francisco, California with
his wife “Fawn,” and their
three children,
“Tyler,” “Jack,” and “San.” |
Some
of the people that David Howard collaborated with, met, or
exhibited with:
Andy Warhol, Robert
Rauschenberg, Robert Frank, Ansel
Adams, Robin Williams, Timothy Leary, Keith Haring, Christo, Mark
Rothko, Bill Clinton, Arman, Annie Leibovitz, Clyfford Still, Aaron
Siskind, Ralph Gibson, Imogen Cunningham, Jerry Uelsmann, Robert
Heinecken, Berenice Abbott, Diane Arbus, Richard Avedon, Ruth
Bernhardt, Bill Brant, Manual Alvarez Bravo, Paul Caponigro, Edward
Curtis, Walker Evans, George Hurrell, O. Winston Link, Mary Ellen Mark,
Les Krims, Duane Michaels, Arnold Newman, Helmut Newton, Irving Penn,
Herb Ritts, Edward Steichen, Alfred Stieglitz, Bret Weston, Max Yavno,
Lawrence Ferlinghetti, Kenny Scharf, Peter Hujar, Kenneth Shorr, John
Divola, Nam June Paik, Richard Diebenkorn, Minor White, Larry Clark,
Bruce Conner, Bruce Nauman, Richard Misrach, Elmer Bischoff, Joan
Brown, Robert Indiana, Richard Shaw, Danny Glover, Roy De Forest,
Herbie Hancock, Wayne Shorter, Tony Williams, Pete Turner, Ernest Haas,
Chris Burden, Jay Defeo, Mark Kostabi, William Wiley, Manual Neri, Jim
Marshall, Paul Kanter/ “The Jefferson Airplane,” James Broughton,
Chet Helms/ “The Family Dog,” George Kuchar, James Broughton, Fred
Martin, Steve Martin, Dennis McNally / “The Inside History of the
Grateful Dead,” Wynn Bullock, “Wavey Gravey,” Edward Masferre, Tom
Jones/ “What’s New Pussycat,” Francis Ford Coppola, Linda Conner, Joann
Calais,
Ray Metzker, Nathan Lyons, Art Kane, Jay Maisel, Steve Fitch,
Jerry McMillan,
Gail Skoff, Mike Mandel and
Larry Sultan.
DAVID E.
T. HOWARD M.F.A.
49
RIVOLI STREET
SAN
FRANCISCO, CALIFORNIA, 94117 USA
PHONE #
(415)-813-0276
E-MAIL
info@tribalartasia.com
COLLECTIONS
(PUBLIC)
PARTIAL
LIST
1)
MUSEUM OF MODERN ART (S.C.75.123) S.F. ART INSTITUTE PORTFOLIO
NEW YORK
CITY 1975
2) THE
METROPOLITAN MUSEUM OF ART N.Y.C. ARTS OF AFRICA, OCEANIA,
AND THE
AMERICAS PHOTOGRAPHY COLLECTION 2011
3) WHITNEY MUSEUM OF AMERICAN ART (EAST VILLAGE TAPE) 1985
4) THE
FIELD MUSEUM ; CHICAGO, PHOTOGRAPHY COLLECTION 2013
5) HIRSHORN/SMITHSONIAN (EAST VILLAGE TAPE) WASH. D.C. 1985
6) MUSEUM OF MODERN ART (S.F.A.I. PORTFOLIO) SAN FRANCISCO 1975
7) OAKLAND MUSEUM (PHOTOGRAPHS) OAKLAND CALIF. 1973
8) SAN FRANCISCO ART INSTITUTE (EAST VILLAGE TAPE) 1985
9) CITY OF SAN FRANCISCO (PHOTOGRAPH) SAN FRANCISCO 1973
10) DE SAISSET MUSEUM (PHOTOGRAPH) SANTA CLARA CA. 1972
11) THE ART CENTER (EAST VILLAGE TAPE) WACO TEXAS 1986
12)
MEMPHIS BROOKS MUSEUM (ART SEEN TAPE) MEMPHIS TENN. 1987
13)
AKRON ART MUSEUM (ART SEEN TAPE) AKRON OH. 1988
14)
HOUSTON MUSEUM OF FINE ART (ARMAN TAPE) HOUSTON TX.1989
15)
BLACK STAR PUBLISHING (PHOTOGRAPHS) NEW YORK CITY 1997
16) THE
SAN FRANCISCO ART INSTITUTE
DIEGO
RIVERA GALLERY "COLLECTED" EXHIBITION 2014
PERMANENTLY
ARCHIVED: ANNE BREMER LIBRARY: SFAI
17) L'
ARENGARIO STUDIO BIBLIOGRAFICO, GUSSAGO, ITALY 2014
KEITH
HARING PORTRAIT PHOTOGRAPH DATED 1985
NATIONAL
GROUP SHOWS
1) HANSEN FULLER
GALLERY SAN FRANCISCO 1973
2) WHITNEY MUSEUM OF AMERICAN ART (VIDEO ON ART) 1985
3) DE YOUNG MUSEUM RAINBOW SHOW SAN FRANCISCO 1975
4) OAKLAND MUSEUM ULTRA FILMS OAKLAND CA. 1974
5) CAMERA WORKS PHOTOGRAPHY AND LANGUAGE SAN FRANCISCO 1976
6) CAMERA WORKS EXHIBITION AND AUCTION LOS ANGELES 1978
7) MULTIPLE MEDIA TRAVELED TO 8 U.S. INSTITUTIONS 1974
8) OHIO SILVER GALLERY NATIONAL EXHIBITION LOS ANGELES 1975
9) CALIFORNIA MUSEUM OF PHOTOGRAPHY RIVERSIDE CA. 1984
10)
PALACE OF FINE ARTS EXPLORATORIUM SAN FRANCISCO 1972
11)
GUGGENHEIM GALLERY PHOTOGRAPHY ORANGE CA. 1978
12)
NEARY GALLERY CONTEMPORARY PHOTOGRAPHY SANTA CRUZ CA. 1979
13)
DE SAISSET ART GALLERY AND MUSEUM SANTA CLARA CA. 1972
14)
SAN FRANCISCO ART INSTITUTE FILM FESTIVAL SAN FRANCISCO 1973
15)
SAN FRANCISCO ART INSTITUTE VALENTINE SHOW 1986
16)
SAN FRANCISCO ART INSTITUTE EMMANUEL WALTER GALLERY 1974
17)
SAN FRANCISCO ART COMMISSION GALLERY (PHOTO MURAL) 1973
18)
SAN FRANCISCO ART COMMISSION GALLERY “PHOTOS & GRAPHICS” 1978
19)
ERIE ART CENTER MULTIPLE MEDIA ERIE PA. 1974
20)
IMAGES GALLERY HORIZONS NEW YORK 1976
21)
27TH SAN FRANCISCO ART FESTIVAL SAN FRANCISCO 1973
22)
28TH SAN FRANCISCO ART FESTIVAL SAN FRANCISCO 1974
23)
29TH SAN FRANCISCO ART FESTIVAL SAN FRANCISCO 1975
24)
3OTH SAN FRANCISCO ART FESTIVAL SAN FRANCISCO 1976
25)
31ST SAN FRANCISCO ART FESTIVAL SAN FRANCISCO 1977
26)
VORPAL GALLERY EAST VILLAGE SHOW SAN FRANCISCO 1985
27)
CALIFORNIA STATE UNIVERSITY AT NORTH RIDGE L.A. VIDEO ART 1988
28)
SAN FRANCISCO PUBLIC LIBRARY SAN FRANCISCO 1987
29)
SQUIGGLES GALLERY VIDEO REFUSES SAN FRANCISCO 1986
30)
HADLEY MARTIN GALLERY SAN FRANCISCO 1987
31)
FINE ARTS MUSEUM OF LONG ISLAND ART SEEN TAPE 1989
32)
CHANDLER GALLERY ART SEEN TAPE SEATTLE WA. 1991
33)
CASKEY LEES TRIBAL SHOW FORT MASON S.F. CA. 2012
34) THE
SAN FRANCISCO ART INSTITUTE
DIEGO
RIVERA GALLERY "COLLECTED" EXHIBITION 2014
PERMANENTLY
ARCHIVED: ANNE BREMER LIBRARY: S.F.A.I.
35) THE
SAN FRANCISCO ART INSTITUTE
“GHOSTS
OF THE TOWER”
ARCHIVE
EXHIBITION JANUARY - APRIL 2017
WALTER
AND MCBEAN GALLERIES
36) SAN
FRANCISCO ART INSTITUE FILM FESTIVAL 1973
37)
FRIENDS OF PHOTOGRAPHY CENTER FOR PHOTOGRAPHIC ART
“IN
CELEBRATION OF LIGHT” CARMEL, CALIFORNIA: 2018
38) THE
FIELD MUSEUM: “THE PHILIPPINES” 2015 - 2017
NATIONAL
ONE MAN SHOWS
1) HIRSHORN/SMITHSONIAN EAST
VILLAGE TAPE WASH. D.C. 1985
2)
FOURTH STREET GALLERY PHOTOGRAPHS N.Y.C. 1976
3)
FOURTH STREET GALLERY PHOTOGRAPHS N.Y.C. 1985
4) SAN
FRANCISCO ART INSTITUTE EAST VILLAGE TAPE S.F. 1985
5) G.
RAY HAWKINS GALLERY PHOTOGRAPHS LOS ANGELES 1988
6)
HOFSTRA UNIVERSITY EAST VILLAGE TAPE HEMPSTEAD N.Y. 1985
7)
UNIVERSITY OF CALIFORNIA EXTENSION SAN FRANCISCO 1975
8)
IMAGES GALLERY PHOTOGRAPHS N.Y.C. 1977
9) 544
NATOMA PERFORMANCE GALLERY SAN FRANCISCO 1983
10)
MADISON ART CENTER PHOTOGRAPHS MADISON WI. 1976
11)
LEHIGH UNIVERSITY ART GALLERIES EAST VILLAGE TAPE 1985
12) JOHN
BOLLES GALLERY PHOTOGRAPHS SAN FRANCISCO 1974
13) OHIO
UNIVERSITY PHOTOGRAPHS ATHENS OH. 1971
14)
OAKLAND UNIVERSITY EAST VILLAGE TAPE ROCHESTER MI. 1985
15)
ARTIST'S WORKSHOP AND GALLERY BROOKLYN N.Y. 1970
16)
INTERSECTION GALLERY PHOTOGRAPHS SAN FRANCISCO 1972
17) MARC
RICHARDS GALLERY L.A. ART SCENE TAPE LOS ANGELES 1986
18)
E.Z.T.V. KEITH HARING TAPE LOS ANGELES 1987
19)
PHILADELPHIA MUSEUM OF ART NAM JUNE PAIK TAPE PHIL.PA. 1990
20)
MARTIN WEBER GALLERY / A.T.A. SAN FRANCISCO 1986
21) HANK
BAUM GALLERY CALIFORNIA ART SCENE SAN FRANCISCO 1986
22)
E.Z.T.V. LAWRENCE FERLINGHETTI TAPE LOS ANGELES 1987
23)
THOMAS CROW GALLERY PHOTOGRAPHS LOS ANGELES 1973
INTERNATIONAL
EXHIBITIONS
(GROUP
AND ONE MAN)
1) 10TH
INTERNATIONAL EXHIBITION OF CONTEMPORARY ART
ROYAN FRANCE 1976
2) 13TH
INTERNATIONAL EXHIBITION OF CONTEMPORARY ART
ROYAN FRANCE 1979
3) 34TH
INTERNATIONAL PHOTOGRAPHIC SALON OF JAPAN
TOKYO JAPAN 1974
4) 41ST
INTERNATIONAL PHOTOGRAPHIC SALON OF JAPAN
TOKYO JAPAN 1981
5)
EXCONVENTO DEL CARMAN ONE MAN SHOW
GUADALAJARA MEXICO 1975
6) 31ST
CORK FILM FESTIVAL KEITH HARING TAPE
CORK IRELAND 1986
7)
PEOPLE'S LODGE IFUGAO TRIBAL PHOTOGRAPHS BANAUE,
IFUGAO
PROVENCE, PHILIPPINES 1998
8)
“IBEJI SCULPTURE” MUSEUM OF AFRICAN ART: BELGRADE
DECEMBER
2015
9)
“SKULL CULTS” JORG SCHEIDT LECTURE AT
“HAUS
LEIPZIG” LEIPZIG GERMANY JUNE 3RD 2017
BOOKS: MONOGRAPHS
1) “THE
OBJECTIVE REALITY OF ILLUSIONISTIC PERCEPTIONS” 1972
A
PORTFOLIO OF 12 PHOTOGRAPHS WITH AN ORIGINAL
PHOTOGRAPH
MOUNTED ON THE COVER 11 X 11.5 INCHES
2)
"REALITIES" 1976
3)
"PERSPECTIVES" PHOTOGRAPHS AND CONVERSATIONS WITH
ANSEL ADAMS, JERRY UELSMANN, RALPH GIBSON, ROBERT HEINEKEN 1978
4) "THE
LAST FILIPINO HEAD HUNTERS" 2001
PUBLISHED
BY “LAST GASP”
5)
"SACRED JOURNEY: THE GANGES TO THE HIMALAYAS" 2004
PUBLISHED
BY “TASCHEN” IN FOUR LANGUAGES
6) "TEN SOUTHEAST ASIAN TRIBES FROM FIVE COUNTRIES" 2008
PUBLISHED
BY “LAST GASP”
7)
“REALITIES; REVISED FINAL VISION VERSION III” 2018
KEITH
HARING, CHRISTO, NAME JUNE PAIK, ANSEL ADAMS,
ARRON
SISKIND, RALPH GIBSON, JERRY UELSMANN, ROBERT HEINECKEN
CONVERSATIONS
AND 421 PHOTOGRAPHS PUBLISHED BY “ART SALES AND RENTALS”
BOOKS INCLUDED
1) WHO'S
WHO IN AMERICA
2) WHO'S
WHO IN AMERICAN ART
3) WHO'S
WHO IN CALIFORNIA
4) WHO'S
WHO IN THE WEST
5) "PHOTOGRAPHY FOR VISUAL COMMUNICATORS" 1973
(PRENTICE-HALL)
6) SAN
FRANCISCO CITY GUIDE
7) "THE
HIDDEN WORLD OF THE NAGA" 2003
8) "THE WORLD OF TATTOO" 2005
9)
"TAPPING INK: TATTOOING IDENTITIES, TRADITION,
AND
MODERNITY IN CONTEMPORARY KALINGA SOCIETY 2013
10)
"VIETNAM ODYSSEY IN SOUTHEAST ASIAN STREAM" 2013
11)
INTERNATIONAL BIOGRAPHICAL CENTER, CAMBRIDGE ENGLAND, 2014
"OUTSTANDING
PEOPLE IN THE ARTS TODAY"
12) "THE
NAGA: MEMORIES OF HEADHUNTERS" (WHITE LOTUS) 2015
13) “
IBEJI SCULPTURE” MUSEUM EXHIBITION CATALOGUE
MUSEUM
OF AFRICAN ART: BELGRADE 2015
14) “IN
THE SHOES OF STONE AGE MEN”
LITHUANIAN
COUNCIL OF CULTURE: 2016
15
“DEATH: A GRAVESIDE COMPANION”
THAMES
AND HUDSON, LONDON 2017
16)
INSIDE ARTZINE #20
BEST OF
1993 - 2018: TRIER GERMANY 2018
17)
“METAPHYSICAL DEBT; ESSAYS AND CONVERSATIONS”
“Dług
Metafizyczny; Eseje i Rozmowy” by Ireneusz Kania
DAVID
HOWARD PHOTOGRAPHY COVER & TRIBAL ART
Publisher:
Tempus Fugit; CARCOV POLAND. NOVEMBER 2021
PERIODICALS
INCLUDED
1)
SMITHSONIAN INSTITUTION MAGAZINE COVER MARCH 2014
ASMAT
BEADED ANCESTOR SKULL: MICHAEL ROCKEFELLER FEATURED STORY
NEW
GUINEA'S ASMAT TRIBE
2)
VILLAGE VOICE (F. MCDONALD) JUNE 17, 1976 NEW YORK CITY
3) SAN
FRANCISCO CHRONICLE (A. FRANKENSTEIN) MARCH 21, 1974
4)
ARTWEEK (J. MURRAY) DECEMBER 18, 1976
5)
SAN FRANCISCO CHRONICLE (A. FRANKENSTEIN) MAY 16, 1974
6)
ARTWEEK (J. BESHEARS) JULY 7, 1973
7) SAN
FRANCISCO CHRONICLE (T. ALBRIGHT) JANUARY 1976
8) BAY
GUARDIAN (B. DANCIS) APRIL 10, 1985 SAN FRANCISCO
9) SAN
FRANCISCO CHRONICLE (K. BAKER) APRIL 12, 1985
10)
FILMS ART FOUNDATION APRIL 1985 SAN FRANCISCO
11) BAY
AREA VIDEO COALITION (B.A.V.C) APRIL 1985 SAN FRANCISCO
12) WEST
ART MARCH 1974 CALIFORNIA
13) SAN
FRANCISCO CHRONICLE "THIS WORLD" COVER JANUARY 5, 1975
14)
MADISON ART NEWS APRIL 1976 MADISON WI.
15)
CAPITOL TIMES MAY 1976 MADISON WI.
16) SAN
FRANCISCO CHRONICLE (K. BAKER) APRIL 24, 1986
17) SAN
FRANCISCO CHRONICLE (K. BAKER) MARCH 14,1986
18) SAN
FRANCISCO EXAMINER (R. MORSE) AUGUST 29,1986
19) LOS
ANGELES READER (C. DALTON) OCTOBER 3,1986
20)
CABLE VIEW DECEMBER 1989 SAN FRANCISCO
21)
FLASH ART DECEMBER 1989 ROME ITALY
22) SOMA
MAGAZINE #18 1992 SAN FRANCISCO
23) ART
CALENDAR MAGAZINE 1993 CHICAGO IL.
24) ART
CALENDAR MAGAZINE FEBRUARY 1995 CHICAGO IL.
25)
FILIPINAS MAGAZINE APRIL 1998 SAN FRANCISCO
26) THE
WORLD OF TRIBAL ART MAY 1998 MILAN ITALY
27) THE
WORLD OF TRIBAL ART APRIL 2002 MILAN ITALY
28)
PATAGONIA SEPTEMBER 2002 LOS ANGELES CALIFORNIA USA
29)
VOGUE LONDON 2004
30)
ESQUIRE TOKYO 2004
31)
LIFESTYLE AUSTRIA 2005
32)
NOUVELLES DE L'INDE PARIS 2005
33)
"H10" MADRID SPAIN 2005
34) NEW
AGE RETAILER; BELLINGHAM ENGLAND 2005
35) SAN
FRANCISCO EXAMINER ONLINE "ARTS AND ENTERTAINMENT"
"GLOBAL
MICROCOSM OF ART AT FORT MASON" 2012
36)
INSIDE ARTZINE MAGAZINE: TRIER GERMANY 2015
37) ARTS
OF ASIA “SIMPLE AND POWERFUL:
EXPRESSIONS
IN CORDILLERA TRADITIONAL ART” PAGE 43
BIBLIOGRAPHY;
PAGE 58 JANUARY - FEBRUARY 2017
38) THE
JOURNAL OF ANTIQUES & COLLECTIBLES; FEB. 2020 PAGE #8
DAVID
HOWARD’S PHOTOGRAPHS, TEXT, & TRIBAL ART
39) THE
NEW YORK-PENNSYLVANIA COLLECTOR; FEBRUARY 2020 PAGE #11
DAVID
HOWARD’S PHOTOGRAPHS, TEXT, & TRIBAL ART
40)
ARKANSAS ANTIQUES;
2020
DAVID
HOWARD’S PHOTOGRAPHS, TEXT, & TRIBAL ART
41)
UNIVERSITY OF
BUFFALO DEPARTMENT OF HISTORY
DR. MARK
AUGUSTUS DODGE MA. MED. PHD.
DAVID
HOWARD PHOTOGRAPHY AND TRIBAL ART LECTURE CITED PICTURE 2022
BROADCAST AND CABLE TELEVISION
1)
P.B.S. CHANNEL 9 K.Q.E.D. BROADCAST FEBRUARY 1991
NORTHERN CA.
2)
CHANNEL 37 "EAST VILLAGE ART SCENE" FEBRUARY 1987 LA JOLLA CA.
3)
CHANNEL 3 "CALIFORNIA ART SCENE I" MARCH
1987 LOS ANGELES
4)
CHANNEL 3 "CALIFORNIA ART SCENE II" MARCH
1988 LOS ANGELES
5)
CHANNEL 6 "ART SEEN SERIES" WEEKLY 1987-1994
SAN FRANCISCO
6)
MANHATTAN CABLE "ART SEEN SERIES" WEEKLY
1989-1993 N.Y.C.
7)
PACIFIC MOUNTAIN NETWORK SATELLITE
FEED 1991
8)
CHANNEL 37 "LOS ANGELES ART SCENE" NOVEMBER 1986 LA JOLLA CA.
9)
CHANNEL 32 K.M.P.T. BROADCAST MARCH
1994 SAN FRANCISCO
10) "THE
UNIVERSE OF KEITH HARING" 2008
WEEKLY
CABLE TELEVISION "ART SEEN" SERIES
1) MANHATTAN CHANNEL17 WEDNESDAYS 11:30 P.M. E.S.T.
2) LOS
ANGELES CENTURY CHANNEL 3 SUNDAYS 7 P.M.
3)
DALLAS CHANNEL 25 AND 9
4) ASPEN
THURSDAYS 8 P.M.
5)
ATLANTA CHANNEL 12 6:30 P.M.
6) MIAMI
CHANNEL 2 WEDNESDAY 10:30 A.M. THURSDAY 2:30 P.M.
7) NEW
ORLEANS CHANNEL 53 WEDNESDAY 8 P.M. SATURDAY 5:30 P.M.
8)
PORTLAND CHANNEL 53 TUESDAYS 7:30 P.M.
9) SAINT
LOUIS MONDAY 7 P.M.
DAVID
HOWARD'S PHOTOGRAPHS,
WERE JUDGED, AND ACCEPTED, BY "WYNN BULLOCK," IN
AN EXHIBITION AT THE "DESAISSET ART GALLERY" AT
"THE SANTA CLARA UNIVERSITY" FROM
FEBRUARY 28TH - MARCH 19TH, 1972.
|
DAVID
HOWARD, ON
SEPTEMBER 30TH, 1973,
WAS
REQUESTED, BY THE PHOTOGRAPHY CURATOR;
"JOAN SIMON," AT "THE LOS ANGELES COUNTY MUSEUM OF
ART" TO SEND TO HER HIS PHOTOGRAPHS FOR EXHIBITION.
|
TWO OF
DAVID HOWARD'S PHOTOGRAPHS,
WERE ACCEPTED, ON JANUARY
15TH, 1973, BY THE
PHOTOGRAPHY CURATOR AT "THE OALKLAND MUSEUM,"
"THERESE
HEYMAN;" FOR
INCLUSION IN THE
PERMANENT COLLECTION OF THAT MUSEUM.
|
THE REVIEW
OF DAVID HOWARD'S PHOTOGRAPHS,
AT THE "THOMAS J. CROWE GALLERY,"
THAT WAS WRITTEN BY "JAKI BESHEARS,"
IN "ARTWEEK" MAGAZINE ON THURSDAY
MARCH 7TH, 1973, FOLLOWS.
|
DAVID
HOWARD'S PHOTOGRAPH
WAS INCLUDED IN THE BOOK ENTITLED:
"PHOTOGRAPHY FOR VISUAL COMMUNICATORS",
ON PAGE # 263, PUBLISHED BY "PRENTICE-HALL," IN 1973.
|
DAVID
HOWARD'S PHOTOGRAPHS, WERE EXHIBITED
IN "THE 27TH ANNUAL SAN FRANCISCO ARTS FESTIVAL,"
FROM SEPTEMBER 19TH - 23RD, 1973 AND PURCHASED BY
"THE CITY OF SAN FRANCISCO"
ON SEPTEMBER 27TH, 1973.
|
DAVID
HOWARD'S EXHIBITED; "ANALYSES OF REALITIES,"
A 42 CIRCULAR PHOTOGRAPH, 16 X 16 FOOT, MURAL
AT THE "SAN FRANCISCO ART COMMISSION'S GALLERY"
FROM JUNE 9TH - JUNE 30TH, 1973 WAS VIEWED BY
A DEYOUNG MUSEUM CURATOR FOR THE "RAINBOW SHOW."
THAT CURATOR SUBSEQUENTLY WROTE DAVID A LETTER THAT
CHAMPIONED DAVID AND CONGRADULATED HIM ON HIS
SUCCESS. DAVID'S PHOTOGRAPHY WAS INCLUDED
IN THE "DEYOUNG MUSEUM'S RAINBOW SHOW"
IN MARCH 21ST - JUNE 22ND, 1975.
|
|
ABOVE: DAVID HOWARD
AND HIS "ANALYSES
OF REALITIES;"
42
CIRCULAR PHOTOGRAPH, 16 X 16 FOOT
MURAL, THAT
"THE SAN FRANCISCO
ART COMMISSON GALLERY," 1973
|
DAVID
HOWARD'S PHOTOGRAPHS WERE EXHIBITED IN
"THE 34TH INTERNATIONAL PHOTOGRAPHIC SALON OF JAPAN,"
1974. THERE
WERE 3395 PHOTOGRAPHS SUBMITTED, FROM
41 COUNRTIES, FROM
WHICH 160 PHOTOGRAPHS WERE
ACCEPTED FOR
EXHIBITION. THE PHOTOGRAPHY
CURATOR, "JOHN
HUMPHREY" FROM "THE
SAN FRANCISCO MUSEUM
OF MODERN ART"
ACQUIRED THE CATALOGUE
FROM THAT
EXHIBITION AND FILED
IT AT THE
MUSEUM AFTER SENDING A
LETTER
TO DAVID HOWARD
STATING; "THE
STRENGTH AND CLARITY
OF YOUR
SPECIAL INTENT COMES
TROUGH..."
THAT CATALOGUE'S
COVER, DAVID
HOWARD'S PICTURES IN
THAT CATALOGUE
AND JOHN HUMPHREY'S
LETTER FOLLOW.
|
THE REVIEW
OF DAVID HOWARD'S
PHOTOGRAPHS, AT THE "JOHN BOLLES GALLERY,"
THAT WAS WRITTEN BY "ALFRED FRANKENSTEIN,"
IN "THE SAN FRANCISCO CHRONICLE" ON
THURSDAY MARCH 21ST, 1974 IN WHICH, FOR THE
FIRST, OF TWO TIMES, DAVID
HOWARD IS DESCRIBED AS
"AN EXPERIMENTAL
PHOTOGRAPHER OF AMAZING ABILITY"
BY AN ART CRITIC IN A
PERIODICAL FOLLOWS.
|
THE REVIEW
OF DAVID HOWARD'S "RENEGADE SHOW,"
THAT WAS WRITTEN BY
"ALFRED FRANKENSTEIN,"
IN "THE SAN FRANCISCO
CHRONICLE" ON
THURSDAY MAY 16TH,
1974, FOLLOWS.
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ABOVE: DAVID
E. T. HOWARD WITH 6 OF THE 284
PIECES DISPLAYED IN THE
"RENEGADE SHOW."
FOUR 11 X 17 INCH
BLACK & WHITE PHOTOGRAPHS
AND TWO 4 X 8 FOOT PHOTOGRPHIC CONSTUCTIONS THAT
WERE INCLUDED IN THE "RENEGADE
SHOW" FOLLOW.
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DAVID
HOWARD'S EXPERIMENATL FILM,
"ANALYSES OF REALITIES," WAS EXHIBITED
AT "THE OAKLAND MUSEUM," IN THE
"ULTRA FILMS" SERIES ON JULY 26TH 1974
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David's Experimental Films were
screened at
“The San Francisco Museum
of Modern Art’s”
“S.E.C.A.” series, “The Millennium Film Workshop”
in
New York City, “The Oakland Museum’s”
“Ultra Films,” in Oakland,
California,
“The San Francisco Art Institute’s Film Festival,”
“The
Exploratorium” in San Francisco, California,
“Ohio University”
in Athens, Ohio and at
"The 31st Cork, Ireland, Film Festival."
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DAVID
HOWARD'S EXPERIMENTAL
FILMS, ART WORLD VIDEO TAPES,
AND TRIBAL VIDEO
TAPE DOCUMENTARIES
CAN BE ACCESSED ON "YOUTUBE" VIA
THE YOUTUBE HANDLE
@ DavidHowardArt
THEN CLICK THE VIDEO LINK ON
THE TOP OF THAT PAGE.
IN HIS CAREER, THAT SPANS MORE THAN
64 YEARS IN THE ARTS, DAVID HOWARD PRODUCED
6 EXPERIMENTAL FILMS! 5 OF THOSE TITLES FOLLOW:
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DAVID
HOWARD'S PHOTOGRAPHS, WERE EXHIBITED
AT "HANSEN-FULLER GALLERY," IN THE EXHIBITION
"THE HANSEN-FULLER GALLERY PAYS TRIBUTE TO THE
SAN FRANCISCO ART INSTITUTE" FROM OCTOBER
20TH - NOVEMBER 29TH, 1975. SOME OF
THE OTHER
ARTISTS INCLUDED IN
THAT EXHIBITION WERE MARK
ROTHKO, CLYFFORD
STILL, ANSEL ADAMS, RICHARD
DIEBENKORN, BRUCE
CONNER, BRUCE
NAUMAN AND WILLIAM
WILEY.
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DAVID
HOWARD EXHIBITED TWO 5 X 8 FOOT;
12 BLACK & WHITE TONED RED, BLUE & GREEN
PICTURE PANELED, PHOTOGRAPHIC MURALS
AT "EXCONVENTO DEL CARMAN DEPARTMENTO
DE BELLSAS ARTES GOBIERNO DEL ESTADO" IN
GUADALAJARA, JALISCO, MEXICO FROM
SEPTEMBER 17TH - OCTOBER 7TH 1975.
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DAVID
HOWARD EXHIBITED 8 PHOTOGRAPHS
IN FRANCE IN "THE SALON INTERNATIONAL DE
LA RECHERCHE PHOTOGRAPHIQUE LE DIXIEME
FESTIVAL INTERNATIONAL D'ART CONTEMPORAIN"
WITH NATHAN LYONS, RAY METZKER AND DUANE
MICHAELS FROM MARCH 17TH - APRIL 2ND, 1976.
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THE REVIEW
OF DAVID HOWARD'S
PHOTOGRAPHS, AT THE "FOUTH STREET GALLERY,"
THAT WAS WRITTEN BY "FRED MCDARRAH,"
IN "THE VILLAGE VOICE" ON THURSDAY
JUNE 17TH, 1976, IN WHICH, FOR THE
SECOND, OF TWO TIMES, DAVID
HOWARD IS DESCRIBED AS
"AN EXPERIMENTAL
PHOTOGRAPHER OF AMAZING ABILITY"
BY AN ART CRITIC IN A
PERIODICAL FOLLOWS.
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DAVID
HOWARD'S COLOR PHOTOGRAPHS WERE
INCLUDED IN THE EXHIBITION "HORIZONS" IN
THE "IMAGES" GALLERY, LOCATED AT 11 EAST 57TH
STREET, NEW YORK NEW YORK, IN 1976 WITH PETE
TURNER, JAY MEISEL, ART KANE & ERNST HASS.
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DAVID
HOWARD'S SECOND MONOGRAPH ENTITLED:
"REALITIES," INCLUDES 31 OF
DAVID'S
PHOTOGRAPHS, THAT WERE PUBLISHED IN 1976.
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DAVID
HOWARD'S ONE MAN SHOW OF COLOR PHOTOGRAPHS, AND
COLOR PHOTOGRAPHIC CONSTRUCTIONS, WERE EXHIBITED AT THE
"IMAGES" GALLERY, IN NEW YORK, FROM MAY 19TH - JUNE 27TH 1977.
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DAVID
HOWARD'S SERIES OF PHOTOGRAPHS ENTITLED;
"ABSTRACT FEMALE BODY PARTS," WAS EXHIBITED TWICE,
ONCE AT "THE GUGGENHEIM GALLERY," AND AGAIN AT
"THE NEARY GALLERY." ONE EXAMPLE FROM THAT SERIES
WAS PUBLISHED ON THE POSTER FOR THOSE 2 SHOWS FOLLOWS:
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DAVID
HOWARD'S THIRD MONOGRAPH ENTITLED: "PERSPECTIVES,"
INCLUDES 52 OF DAVID'S PHOTOGRAPHS & TRANSCRIBED
CONVERSTAIONS WITH ANSEL ADAMS, JERRY UELSMANN,
RALPH GIBSON, ROBERT HEINECKEN AND HARROLD
JONES, WAS PUBLISHED IN 1978.
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A LETTER
THAT DAVID
HOWARD RECEIVED FROM
THE NEW YORK'S "MUSEUM OF MODERN ART" DEPARTMENT
OF PHOTOGRAPHY; "BETSY JABLOW," DATED NOVEMBER
18TH, 1980, VARIFIES DAVID'S PHOTOGRAPH, IS INCLUDED
IN THE PORTFOLIO: "FIFTEEN PHOTOGRAPHS FROM
THE SAN FRANCISCO ART INSTITUE '72," WHICH IS
HOUSED IN THAT MUSEUM'S COLLECTION.
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DAVID
HOWARD'S BIOGRAPHY WAS
INCLUDED IN THE 42ND EDITION OF
"WHO'S WHO IN AMERICA, ON MAY 11TH, 1981.
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DAVID
HOWARD'S COLOR PHOTOGRAPHY WAS EXHIBITED
IN "THE 41ST INTERNATIONAL PHOTOGRAPHIC SALON OF JAPAN,"
IN 1981, AND WAS PUBLISHED IN THE "THE 41ST
INTERNATIONAL
PHOTOGRAPHIC SALON OF JAPAN" EXHIBITION
CATALOGUE.
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DAVID
HOWARD'S PHOTOGRAPHIC WORK IS EXECUTED IN "ERAS!"
"THE STRAIGHT
PHOTOGRAPHS: ERA I" IS CIRCA 1961 - 1970,
"THE EXPERIMENTAL
PHOTOGRAPHS: ERA I" IS CIRA 1970 - 1984.
DAVID'S "FOUND
PAINTING" AND "ALTERED FOUND
OBJECTS" PHOTOGRAPHS
FALL INTO "THE STRAIGHT
PHOTOGRAPHS: ERA II,
CIRCA 1979 - 1992."
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"THE
DOCUMNETARY VIDEO PRODUCTION ERA, "CIRCA 1985 - 2018,
INCLUDES THE FIRST
VIDEO DOCUMENTARY DAVID HOWARD
PRODUCED &
DIRECTED; "NEW YORK'S EAST VILLAGE
ART SCENE" THAT
PREMIERED AT "THE WHITNEY MUSEUM OF
AMERIAN ART" IN THE
"FILM AND VIDEO ON ART" SERIES IN 1985.
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A REVIEW
OF DAVID HOWARD'S "NEW YORK'S EAST VILLAGE
ART SCENE," DOCUMENTARY VIDEO TAPE SCREENING AT THE
"VORPAL GALLERY," IN SAN FRANCISCO, PUBLISHED
IN THE "BAY GUARDIAN" ON WEDNESDAY
MAY 22ND, 1985 FOLLOWS.
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A REVIEW
OF DAVID HOWARD'S "NEW YORK'S EAST VILLAGE
ART SCENE," DOCUMENTARY VIDEO TAPE SCREENING AT THE
"VORPAL GALLERY," IN SAN FRANCISCO, PUBLISHED IN
"THE SAN FRANCISCO CHRONICLE;" WRITTEN BY
THE SAN FRANCISCO CHRONICLE ART CRITIC
"KENNETH BAKER," ON SUNDAY
MAY 26TH, 1985, FOLLOWS.
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A
REVIEW WRITTEN BY
THE SAN FRANCISCO CHRONICLE
ART CRITIC; "KENNETH BAKER," ON DAVID
HOWARD'S
"LOS ANGELES: CALIFORNIA ART SCENE (PART I)," AND
"KEITH HARING: ARTIST AT WORK" DOCUMENTARY
VIDEO
TAPES, PRODUCED AND DIRECTED BY DAVID, SCREENED
AT "THE SAN FRANCISCO ART INSTITUTE," THAT WAS
PUBLISHED IN "THE SAN FRANCISCO CHRONICLE;"
ON FRIDAY MARCH 14TH, 1986 FOLLOWS.
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A
REVIEW WRITTEN BY
THE SAN FRANCISCO CHRONICLE ART CRITIC;
"KENNETH BAKER," ON
DAVID HOWARD'S "CALIFORNIA ART SCENE (PART II): SAN FRANCISCO,"
DOCUMENTARY
VIDEO TAPE, PRODUCED AND DIRECTED BY DAVID, SCREENED AT "THE HANK BAUM
GALLERY," THAT WAS PUBLISHED IN "THE SAN FRANCISCO CHRONICLE;" ON
THURSDAY APRIL 24TH, 1986 FOLLOWS.
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A
REVIEW &
INTERVIEW OF DAVID HOWARD WRITTEN, IN
"THE L.A. READER," BY "CHRISTINA DALTON," ON THE
DOCUMENTARY
VIDEO TAPES, PRODUCED AND DIRECTED
BY DAVID; "LOS ANGELES CALIFORNIA ART SCENE: (PART I)
AND "KEITH HARING: ARTIST AT WORK," CONCERNING THEIR
SCREENINGS AT "THE MARC RICHARDS GALLERY," IN LOS
ANGELES, ON FRIDAY OCTOBER 3RD, 1986 FOLLOWS.
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A
REVIEW WRITTEN BY
"RUSTY WESTON," IN THE
"WEST COUNTY TIMES," ON TUESDAY APRIL 29TH,
1986 CONCERNING
DAVID HOWARD'S"CALIFORNIA
ART SCENE (PART II): SAN FRANCISCO,"
DOCUMENTARY VIDEO TAPE SCREENING
AT "THE HANK BAUM
GALLERY," FOLLOWS.
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David's Art World Video Tapes were screened
at “The Whitney Museum of
American Art,”
“The Hirshorn Museum Smithsonian Institute,”
“The San Francisco Art
Institute,” “The Vorpal Gallery”
in San Francisco, California, “The Marc Richard's
Gallery”
in Los Angeles, California,"The Hank Baum Gallery" in San
Francisco,
California, "EZTV" in Los Angeles, California
were Televised weekly,
for years, in 17 American Cities,
and Broadcast on P.B.S. and the B.B.C.
MORE THAN 121 "ART WORLD VIDEO"
DOCUMENTARIES
WERE PRODUCED AND DIRECTED BY DAVID,
A SELECT FEW OF THEIR TITLES FOLLOW:
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DAVID
HOWARD'S EXPERIMENTAL FILMS, ART WORLD
VIDEO TAPES, AND TRIBAL VIDEO
TAPE DOCUMENTARIES
CAN BE ACCESSED ON "YOUTUBE" VIA THE YOUTUBE HANDLE
@ DavidHowardArt THEN CLICK THE VIDEO LINK
ON THE TOP OF THAT PAGE.
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THE PREMIER OF THE "ART SEEN" TELEVISED
SERIES
WITH MORE THAN 121 EPISODES OF ART WORLD VIDEO
TAPES, THAT WERE PRODUCED AND DIRECTED BY
DAVID HOWARD, BEGAN IN OCTOBER OF 1987. FOR MORE
THAN SEVEN YEARS THEY WERE TELEVISED WEEKLY
IN 17 MAJOR AMERICAN CITIES, INCLUDING NEW
YORK, LOS ANGELES, SAN FRANCISCO AND
BROADCAST ON P.B.S. & THE B.B.C.
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A HAND PRINTED LETTER SENT FROM LAWRENCE
FERLINGHETTI TO DAVID HOWARD THANKING
DAVID FOR PRODUCING AND DIRECTING THE
DOCUMENTARY: "LAWRENCE FERLINGHETTI:
POET AND PAINTER," IN WHICH FERLINGHETTI
WROTE "THE COLOR IS GREAT AND SO IS THE TAPE
IN GENERAL." WHILE INVITING DAVID TO HIS
EXHIBITION AT "THE ISTITUTO ITALIANO DI
CULTURA" IN SAN FRANCISCO FOLLOWS.
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THE P.B.S. CONTACT, DATED MAY 1990,
AGREEING TO
BROADCAST "KEITH HARING: ARTIST AT WORK," THAT
DAVID HOWARD PRODUCED AND DIRECTED, FOLLOWS.
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DAVID
HOWARD'S INTERVIEW
IN "SOMA" MAGAZINE 1992 FOLLOWS.
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IN 1981 DAVID
HOWARD'S BIOGRAPHY WAS INCLUDED
IN THE 42ND EDITION OF WHO'S WHO IN AMERICA,
AND AGAIN, IN THE 44TH EDITION OF
"WHO'S WHO IN AMERICA, IN 1986.
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THE
INVITATION TO DAVID HOWARD'S ONE MAN SHOW
OF COLOR & BLACK AND WHITE "FOUND PAINTINGS" &
"ALTERED FOUND OBJECTS" PHOTOGRAPHS, AT THE "G.
RAY. HAWKINS GALLERY," IN LOS ANGELES, FROM MARCH
11TH - APRIL 2ND 1988 THAT INCLUDED ANSEL ADAMS,
RICRARD AVADON, EDWARD STEICHEN, IRVING PENN,
DUANE MICHAELS, RALPH GIBSON, WALKER EVANS,
EDWARD CURTIS, ALFRED STIEGLITZ
& DIANE ARBUS THAT FOLLOWS.
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THE
BEGINNING OF DAVID HOWARD'S
"THE DOCUMENTRAY PHOTOGRAPHS: ERA,"
CIRCA 1990 - 2023 FOLLOWS.
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THE DAVID
HOWARD PHOTOGRAPH OF THE BANAUE
RICE TERRACES, IN IFUGAO PROVINCE, LUZON ISLAND,
PHILIPPINES, WAS THE LEAD PICTURE ON PAGE #52 IN
THE "TRIBAL ARTS" MAGAZINE SPRING 1998 ISSUE
FOR THE FEATURED ARTICLE; "ART AND LIFE:
THE BULUL FIGURES OF THE IFUGAO."
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DAVID
HOWARD'S FOURTH MONOGRAPH
ENTITLED: "THE LAST FILIPINO HEAD HUNTERS,"
INCLUDES MORE THAN 515 PHOTOGRAPHS. A QUEST,
IN EXCESS OF 6 YEARS, SEEKING THE REMAINING SURVIVING
FILIPINO HEAD HUNTERS IN THE IFUGAO, BONTOC, MOUNTAIN
AND KALINGA PROVINCES ON LUZON ISLAND, PHILIPPINES FOLLOWS.
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A
SELECT FEW OF DAVID HOWARD'S
TRIBAL VIDEO DOCUMENTARY TITLES FOLLOW:
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DAVID
HOWARD'S PHOTOGRAPHS, AND TRIBAL ART, ARE
PUBLISHED ON PAGES 118 & 131 IN THE BOOK ENTITLED:
"THE HIDDEN WORLD OF THE NAGA" WHICH FOLLOWS.
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DAVID
HOWARD'S FIFTH MONOGRAPH ENTITLED:
"SACRED JOURNEY: THE GANGES TO THE HIMALAYAS,"
INCLUDES MORE THAN 674 PHOTOGRAPHS; A TEXT NARRITIVE IN
IMAGES THAT DEPICTS A QUEST, IN EXCESS OF 4 YEARS, SEEKING
"BABAS' & "HOLY MEN" IN INDIA AND NEPAL AT "KUMBH MELA"
& "SHIVARATRI;" PHALGONA'S NIGHT OF SPIRITUAL REFLECTION
& DEVOTION, MARKING THE OVERCOMING OF DARKNESS AND
IGNORANCE ON AN OVERLAND JOUNEY FROM THE "GANGES RIVER"
TO THE HIMALAYAS' "ANNAPURNA MOUNTAIN RANGE" IN NEPAL.
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DAVID
HOWARD'S PHOTOGRAPHS FROM HIS
FOURTH MONOGRAPH; "THE LAST FILIPINO HEAD HUNTERS"
WERE PUBLISHED ON PAGES 89, 90, 91 & 92 IN THE BOOK
ENTITLED: "AN ILLUSTRATED HISTORY; THE WORLD
OF TATTOO." THOSE 4 PAGES FOLLOW.
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DAVID
HOWARD'S SIXTH MONOGRAPH ENTITLED:
"TEN SOUTHEAST ASIAN TRIBES FROM FIVE COUNTRIES,"
INCLUDES MORE THAN 898 PHOTOGRAPHS DEPICTS 10
PICTURE NARATIVES ACCOMPANIED BY 10 TEXT NARATIVES
CONCERNING A QUEST, THAT LASTED MORE THAN 8 YEARS,
SEEKING MORE THAN 10 TRIBES, IN MORE THAN 5 COUNTRIES,
THAT INCLUDES BURMA, LAOS, THAILAND, VIETNAM, THE
PHILIPPINES, PAPUA NEW GUINEA & INDONESIA.
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CORRESPONDENCE,
AS LATE AS FEBRUARY 3RD, 2012,
WITH THE "SENIOR VICE PRESIDENT SECRETARY AND
GENERAL COUNSEL;" "SHARON COTT," "THE DIRECTOR;"
"THOMAS CAMPBELL," "THE SENIOR DEPUTY CHIEF
DEVELOPMENT OFFICER FOR PLANNING GIVING AND
ADMINISTRATION;" "PAMALA BUTLER" & "ASSOCIATE
REGISTRAR," "SARAH BOYD," FROM "THE METROPOLITAN
MUSEUM OF ART," IN NEW YORK CITY, TO DAVID
HOWARD,
CONCERNING THE MUSEUM'S ACQUISITION OF 67
OF DAVID HOWARD'S PHOTOGRAPHS INTO
THAT MUSEUM'S COLLECTION FOLLOW.
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DAVID
HOWARD'S BIOGRAPHY WAS INCLUDED IN
THE "INTERNATIONAL BIOGRAPHICAL CENTRE'S"
"OUTSTANDING PEOPLE IN THE ARTS TODAY;"
ON APRIL 4TH 2014. "IBC" IS BASED
IN CAMBRIDGE, ENGLAND.
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THE "KEITH
HARING STUDIO'S"
EXECUTIVE DIRETOR: "JULIA GRUEN,"
ON OCTOBER 4TH 2012, AUTHENTICATED
AN ORIGINAL KEITH HARING DRAWING
THAT IS IN DAVID HOWARD'S ART COLLECTION
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DAVID
HOWARD'S PHOTOGRAPH, AND TRIBAL ART, WERE
PUBLISHED ON THE COVER OF "SMITHSONIAN" MAGAZINE.
THAT MAGAZINE'S COVER AND THE CONTRACT BETWEEN DAVID
HOWARD AND THE "SMITHSONIAN MAGAZINE" CONCERNING
THE ACQUISTION RIGHTS TO THAT PHOTOGRAPH FOLLOW.
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CORRESPONDENCE,
AS LATE AS MAY 9TH, 2013, WITH THE
"ASSOCIATE DIRECTOR OF RESEARCH CENTER;"
"PATRICK RYAN WILLIAMS," AND "REGISTRAR
OF ANTHROPOLOGY COLLECTIONS;" "ELANA
CARPINONE,"
FROM "THE FIELD MUSEUM,"
IN CHICAGO, TO DAVID
HOWARD, CONCERNING
THE MUSEUM'S ACQUISITION OF 60 OF DAVID
HOWARD'S PHOTOGRAPHS INTO THAT MUSEUM'S
COLLECTION FOLLOWS. SUBSEQUENTLY
SOME OF THOSE PHOTOGRAHS WERE
EXHIBITED AT THE FIELD MUSEUM.
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DAVID
HOWARD'S PHOTOGRAPHS, AND TRIBAL ART,
THAT WERE PUBLISHED ON PAGES 34 & 35 IN THE
MAGAZINE ENTITLED: "INSIDE ARTZINE #18,"
2015, BASED IN TRIER, GERMANY, FOLLOW.
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IN THE JANUARY - FEBRUARY 2017 EDITION
OF "ARTS OF ASIA"
MAGAZINE AN ANTICLE ENTITLED; "SIMPLE AND POWERFUL;
EXPRESSIONS IN CORDILLERA TRADITIONAL ART," BASED
THIER RESEARCH ON DAVID HOWARD'S BOOK;
"THE LAST FILIPINO HEAD HUNTERS."
THAT MAGAZINE'S EDITION COVER
AND THE TITLE PAGE OF THAT
ARTICLE FOLLOWS:
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DAVID
HOWARD'S PHOTOGRAPHS, AND TRIBAL ART, WERE
PUBLISHED ON PAGES 83 & 84 IN THE MUSEUM'S EXHIBITION
CATALOGUE AND EXHIBITED IN "THE MUSEUM OF AFRICAN
ART'S" EXHIBITION: "IBEJI TWICE BORN" FROM
DECEMBER 2015 - JUNE 2016 IN BELGRADE, SERBIA.
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DAVID
HOWARD'S PHOTOGRAPH, AND TRIBAL ART, WERE
PUBLISHED IN THE
BOOK: "A GRAVESIDE COMPANION,"
ON PAGE #
364, BY "THAMES
& HUDSON," WHO
ARE BASED IN LONDON, ENGLAND.
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DAVID
HOWARD'S PHOTOGRAPHS WERE EXHIBITED, AND
ARCHIVED, IN "THE SAN FRANCISCO ART INSTITUE" EXHIBITION;
"GHOSTS IN THE TOWER;" THAT RAN FROM JANUARY 26TH TO
APRIL 8TH 2017, IN "THE WALTER AND MCBEAN GALLERIES."
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DAVID
HOWARD'S PHOTOGRAPHY, AND TRIBAL ART,
THAT WERE PUBLISHED ON PAGE 35 IN THE
MAGAZINE: "INSIDE ARTZINE #20," 2018,
BASED IN TRIER, GERMANY, FOLLOW.
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DAVID
HOWARD'S PHOTOGRAPHY, AND TRIBAL ART,
WERE PUBLISHED BY "TEMPUS FUGIT" ON THE COVER OF
THE BOOK ENTITLED: "METAPHYSICAL DRUG;"IN 2021,
"TEMPUS
FUGIT" IS
BASED IN WARSAW, POLAND.
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A LETTER,
DATED OCTOBER 22ND 2018,
FROM "THE ARTISTIC DIRECTOR AND
JENNIFER AND DAVID STOCKMAN CHIEF
CURATOR;" "NANCY SPECTOR," AT THE
"SOLOMON R. GUGGENHEIM MUSEUM,"
IN NEW YORK CITY, SENT TO DAVID
HOWARD, THANKS DAVID FOR
"SENDING ME YOUR BEAUTIFUL
PUBLICATION, "REALITIES; REVISED
FINAL VISION VERSION III," FOLLOWS.
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DAVID
HOWARD'S SEVENTH MONOGRAPH BOOK ENTITLED:
"REALITIES; REVISED FINAL VISION VERSION III,"
WAS PUBLISHED IN 2018. IT INCLUDES 437 BLACK & WHITE
DUO TONE PHOTOGRAPHS AND TRANSCRIBED CONVERSASTIONS
WITH KEITH HARING, NAM JUNE PAIK, CHRISTO, ANSEL
ADAMS, ROBERT HEINECKEN, ARRON SISKIND,
RALPH GIBSON, & JERRY UELSMANN.
THAT BOOK'S COVER FOLLOWS:
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TEN PHOTOGRAPHS FROM:
"REALITIES; REVISED FINAL VISION VERSION III,"
FOLLOW:
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DAVID E. T.
HOWARD, QUOTED
IN AN INTERVIEW THAT PHILIP HARDGRAVE
ORCHASTRATED AND TRANSCRIBED IN 2021 FOLLOWS:
"I DELIBERATELY CREATE PAINTINGS THAT LOOK
LIKE PHOTOGRAPHS WHILE INTENTIONALLY
OBLIGATING PHOTOGRAPHS TO APPEAR AS IF
THEY ARE PAINTINGS; QUESTIONING WHAT IS,
AND WHAT IS NOT, REALITY. MY PICTURE'S
SUBJECT MATTER ALSO ADDRESSES THAT
IDENTICAL POINT. I QUESTION THE PREMIS OF
WHAT IS, AND WHAT IS NOT, REALITY DOWN TO
MINUTIA; TO THE EXCEEDINGLY REDIMENTARY
LEVEL OF INTERROGATING, WHILE INTENTIONALLY
CONFUSING: WHAT IS THE MEDIUM? "THE
ALTERED FOUND OBJECT," COLOR PHOTOGRAPHS,
THAT I PRODUCED IN THE 80'S, ARE EXAMPLES
OF PHOTOGRAPHS THAT, TO THE UNTRAINED EYE,
MAY APPEAR TO BE PAINTINGS, WHILE THE BLACK AND
WHITE, OIL ON CANVAS, PAINTINGS THAT I GENERATED IN
21'ST CENTURY, FROM "THE PAINTING ON CANVAS: ERA II"
SERIES, ARE INVARABLY MISTAKEN TO BE PHOTOGRAPHS.
I INTENTIONALLY INSIST ON FUNDUMENTALLY
QUESTIONING; WHAT
CONSTITUTES REALITY? IN
MY "THE PAINT ON CANVAS: ERA I," DURING THE
90'S, I ADDRESSED THAT VERY SAME ISSUE. SURELY
THOSE SILKSCREEN AND ACRYLIC PAINTINGS COULD
NEVER BE MISTAKEN AS BEING PHOTOGRAPHS, BUT
THEY DO ADDRESS THE CONCERN OF WHAT IS REALITY,
AND WHAT IS NOT, WHEN I INTRODUCE THE POSSIBILITY
TO VIEWERS TO MISTAKENINGLY ASSUME A SINGLE
DIMENSIONAL PAINTING IS A THREE DEMENSIONAL
SPACE! SO NO MATER HOW YOU CUT IT; I'M
INTENTIONALLY INSISTING ON FUNDUMENTALLY
QUESTIONING; WHAT
TRULY CONSTITUTES
EMPERIC REALITY IN ALL THE
ART THAT I PRODUCE?"
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DAVID
HOWARD WITH AN EXAMPLE OF
A 30 X 40 INCH
"FOUND
PAINTING" PHOTOGRAPH FROM
"THE STRAIGHT
PHOTORAPHS: ERA II," CIRCA 1979 - 1992
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EIGHT
EXAMPLES OF
DAVID E. T. HOWARD'S, 30 X 40
INCH, "FOUND PAINTINGS" FROM;
"THE
STRAIGHT PHOTOGRAPHS:
ERA II, CIRCA 1979 -
1992."
EIGHT
EXAMPLES OF
30 X 40 INCH, TYPE-C,
COLOR PHOTOGRAPHS, FOLLOW.
"THE
ALTERED FOUND OBJECT PHOTOGRAPHS ERA,"
CIRCA 1982 - 1986
EIGHT
EXAMPLES OF
30 X 40 INCH, OIL ON CANVAS,
BLACK AND WHITE, PAINTINGS FOLLOW.
"THE PAINT ON
CANVAS:
ERA II,"
CIRCA 1997 - 2025
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SIX
EXAMPLES OF
6 X 4 FEET & 3 X 5 FOOT VERSIONS, OF
SILKSCREEN AND ACRYLIC ON CANVAS,
PAINTINGS FOLLOW.
"THE PAINT ON CANVAS:
ERA I,"
CIRCA 1984 - 1991
SIX
EXAMPLES
OF 4 X 6 FOOT "LIGHT SCULPTURES"
FOLLOW FROM DAVID HOWARD'S
"THE WALL REIEF LIGHT SCULPTURE ERA,"
CIRCA 1990 - 1999
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FOUR
EXAMPLES
OF 30 X 40 INCH PHOTOGRAPHS
OF FOUND PAINTINGS FOLLOW.
"THE FOUND PAINTINGS
PHOTOGRAPHS: ERA II"
CIRCA 2021 - 2025
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FOUR
STORIES AND INTERVIEWS, WRITTEN
BETWEEN 1974 AND 1986, BY PHILIP HARDGRAVE,
DAWN TYLER, JANN KILPELA, & SCOTT LEWIS;
CONCERNING DAVID HOWARD'S PHOTOGRAPHY AND
EXPERIENCES THAT THEY HAD WITH DAVID ARE IN
CHRONOLOGICAL ORDER IN THE FOLLOWING.
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"THE SAN
FRANCISCO FOR VISUAL STUDIES"
BY "PHILIP HARDGRAVE;" CIRCA 1975.
|
"FOUND
PAINTINGS"
BY "SCOTT LEWIS;" CIRCA 1983.
|
"FOUND
PAINTINGS / ALTERED FOUND OBJECTS"
BY "DAWN TYLER;" CIRCA 1983.
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"NEW YORK'S
EAST VILLAGE ART SCENE"
BY "JANN KILPELA;" CIRCA 1985.
|
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ABOVE: DAVID
HOWARD'S OIL
ON CANVAS SELF PORTRAIT ENTITLED:
"THE GREATEST SURPRISE IN A YOUNG MAN'S LIFE IS OLD AGE"
|
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